Found: 12
Although artists’ livelihoods depend on their agency and capacity to create and capitalise on their social and economic assets, there’s an inevitable — and unenviable — struggle between the intrinsic motivations underpinning their art practices and the ‘small business’ expectations of a self-employed status.
Read “Do artists’ livelihoods matter?” in full
Podcast discussion with Owen Kelly and Sophie Hope in the MIAAW series exploring the impossible infrastructure for artists’ practices and livelihoods.
Read “The impossible arts infrastructure” in full
An independent review demonstrating the severe impacts of the pandemic on the social and economic circumstances of visual artists reveals the divergent perspectives at national and local levels in England about what artists and the arts are for, and on how and where future arts policy should be made and implemented.
Read “Grassroots call for radical change” in full
Analysis of the plight of visual artists during Covid-19 illuminates the working conditions of a chronically under-examined sub-section of cultural labour. It demonstrates the severity of pandemic impacts on visual artists’ social and economic circumstances, including from inappropriate criteria for accessing government and Arts Council England emergency measures. A central concern is consideration of how arts policies might better acknowledge and account in future arts infrastructures for the distinctive, diverse social contributions of this workforce element. The commentary reveals a stark contrast between ambitions at national and local levels about what artists and the arts are for, and where and how arts policy should be made and implemented. It evidences an emerging grassroots appetite for a dramatic shift from current hierarchical patterns driven by national imperatives to nuanced, localised infrastructures that can ensure artists’ multiple talents and assets contribute fully to social and economic change for the better within communities.
Read “Cracking up: the pandemic effect on visual artists’ livelihoods” in full
A new qualitative, longitudinal study surprisingly demonstrates how the lives and artistic prospects of many visual artists improved in pandemic conditions and by doing so, provides clues to the infrastructural shifts needed to honour and sustain the talents and vibrancy of this diverse constituency in future.
Read “Telling tales: artists' pandemic stories” in full
In the pandemic, government and Arts Council England built a defensive hedge around the most visible aspects of the arts infrastructure. Staffers in institutions got time, space and money to address fragile business models and secure their futures. However, the emergency arts funding schemes for freelance artists failed to address their artistic, emotional and livelihood needs.
Read “Artists’ precarity not just about pay” in full
The exclusive and short-term emergency arts funding schemes from government and Arts Council England to freelance artists failed to address their livelihood needs, with the majority allowed to fall through the cracks. Early evidence from a longitudinal study surprisingly demonstrates that the lives and artistic prospects of many artists positively improved in pandemic conditions. This offers clues to the substantial shifts in arts infrastructures necessary to honour and sustain the talents and vibrancy of the diverse artists’ constituency in future.
Read “Artists' pandemic stories” in full
Essay analysing flaws and impacts on artists of the UK’s extreme neo-liberal arts economy with suggestions for challenging and redressing the inequities caused.
Read “Let artists flourish, for equality’s sake” in full
Text exploring the impacts of Covid-19 on artists’ livelihoods and the divergent perspectives on creating a healthier, more productive and inclusive arts ecology in future.
Read “Reset or rewild” in full
Delivering ‘human thriving’ in and through the arts, including fair pay for artists, in a pandemic world calls for substantial shifts in how arts policies are made and where they are realised.
Read “Leave no stone unturned, for artists’ sake” in full
