The collection

‘Artists always get lost…’

Deliv­er­ing ​‘human thriv­ing’ in and through the arts, includ­ing fair pay for artists, in a pan­dem­ic world calls for sub­stan­tial shifts in how arts poli­cies are made and where they are realised.

Read “Leave no stone unturned, for artists’ sake” in full

Arts Pro­fes­sion­al arti­cle introduction

Gov­ern­ment and Arts Coun­cil Eng­land were praised in the Covid19 emer­gency for fast imple­men­ta­tion of ad hoc strate­gies for finan­cial sup­port for arts and cul­tur­al insti­tu­tions and job reten­tion schemes for salaried staff. Despite the equal­i­ty and diver­si­ty rhetorics of the fund­ed arts, analy­sis of respons­es to the DCMS Inquiry into the Impact of Covid-19 reveal that indi­vid­ual free­lance visu­al artists will suf­fer worst unless addi­tion­al reme­di­al actions are taken.

Read “Artists’ livelihoods in freefall” in full

Advo­ca­cy to DCMS

This sub­mis­sion was made in June 2020 to the DCMS Com­mit­tee con­sid­er­ing the impact of Covid-19 on any sec­tors under the Depart­ment for Dig­i­tal, Cul­ture, Media and Sport’s remit. It con­tex­tu­alis­es artists’ liveli­hood frame­works and sec­toral artis­tic and eco­nom­ic oppor­tu­ni­ty, high­light­ing key chal­lenges and bar­ri­ers faced by this par­tic­u­lar sub-sec­tion of the cre­ative indus­tries. It evi­dences the dis­tinc­tive lim­i­ta­tions of short-term emer­gency mea­sures from Gov­ern­ment and the Arts Coun­cil to alle­vi­ate imme­di­ate Covid19 cir­cum­stances. Although arts pol­i­cy mar­gin­alised sup­port for artists’ liveli­hoods after the 2008 reces­sion, the exam­ples of artists’ indi­vid­u­alised resilience strate­gies illus­trate the scope and val­ue of sup­port­ive inter­ven­tions by pol­i­cy rel­e­vant to fore­cast­ing new strate­gies for ame­lio­rat­ing the medi­um and longer-term effects of the pan­dem­ic on this vital, dis­tinc­tive cre­ative indus­tries sub-sec­tion. The ratio­nale for struc­tur­al changes in imple­men­ta­tion of arts pol­i­cy and fund­ing is to remove known bar­ri­ers and bet­ter in future cap­ture and ampli­fy the assets that artists cre­ate for their own resilience and bring to social well-being over a life-cycle. 

Read “Support for artists' livelihoods in a Covid-19 world” in full

Case 4 Cul­ture data

Data set from Case 4 Cul­ture free­lance survey

“We can­not be con­tent to go back to what was before, as if all is nor­mal… there needs to be a res­ur­rec­tion of our com­mon life.” Justin Wel­by, Arch­bish­op of Canterbury.

The East­er ser­mon – opined from the Arch­bish­op’s kitchen and dis­sem­i­nat­ed via social media to some 18,000 peo­ple – pro­vid­ed the cue for a dis­cus­sion on how to ensure artists’ sur­vival in an arts and cul­tur­al envi­ron­ment poleaxed by Covid-19. 

Read “Treating the rash or investing in a cure: the future of artists’ livelihoods” in full

Con­di­tions for motility

“This is a moment fraught with pos­si­bil­i­ty.” Isabelle Tra­cy, Par­al­lel State: State of the Nation pod­cast 27 March 2020

This text in the Covid19 port­fo­lio is on the future of artists’ liveli­hoods. It starts by evi­denc­ing the impact of exter­nal trends on visu­al artists’ liveli­hoods. It then iden­ti­fies some of the pol­i­cy mis­as­sump­tions and struc­tur­al bar­ri­ers that lim­it artists’ liveli­hood prospects before demon­strat­ing that visu­al artists as a ​‘spe­cial case’ with­in the arts work­force are deserv­ing of indi­vid­u­alised atten­tion with­in arts poli­cies. It con­cludes by out­lin­ing the core qual­i­ties for pur­suit of liveli­hoods through art prac­tices that enable many artists to con­tribute to soci­ety over a life-cycle as a point of ref­er­ence for pol­i­cy-mak­ing dur­ing the Covid19 emer­gency and into the uncer­tain decade ahead. 

Read “From myths to motility: doing better by artists” in full

50 Per­cent Rule

Although 77% of visu­al artists are reg­is­tered as self-employed (CCS, 2012), this bald sta­tis­tic belies the nuance of how liveli­hoods are made up. This short text in the Covid19 port­fo­lio con­tex­tu­alis­es artists’ income sources and con­cludes with a call for arts fun­ders, arts organ­i­sa­tions and the High­er Edu­ca­tion sec­tor to advo­cate strong­ly to ensure visu­al artists receive the sup­port they deserve dur­ing the Covid19 emer­gency and in future. 

Read “An exceptional case: visual artists and self-employment” in full

Par­al­lel State 27 03 2020

Two pod­casts with­in the Par­al­lel State series dis­cussing the imme­di­ate and sus­tained impli­ca­tions of the Covid19 lock­down and iso­la­tion on artists and the arts. They brought togeth­er vir­tu­al­ly on 27 March 2020 Rose But­ler, Jon Dovey, Tim Etchells, Adri­an Friedli, Susan Jones, Simon Poul­ter, Isabelle Tra­cy and Hwa Young Jung.

Read “State of the Nation: Parallel State” in full

Artists emer­gency hashtag

“We must see the cul­tur­al ecosys­tem in which every per­son, every organ­i­sa­tion, every cul­tur­al expres­sion, has a legit­i­mate place.” Fran­cois Mataras­so, Let’s use this breath­ing space wise­ly, 25 March 2020

Strate­gic arts pol­i­cy fund­ing inter­ven­tions premised on equal­i­ty and co-oper­a­tion are key to sus­tain­ing visu­al artists’ liveli­hoods over a life-cycle. This text in the Covid19 port­fo­lio com­bines sec­ondary data analy­sis with cross-ref­er­ences to pri­or and new research to offer six ref­er­ence points for the eco­nom­ic val­ue of artists’ prac­tices with­in the arts and cre­ative indus­tries includ­ing indi­ca­tion of their income sources in broad terms. It con­cludes with an argu­ment for vital new struc­tur­al arts pol­i­cy and advo­ca­cy mea­sures to ensure that many visu­al artists – not just a few — sur­vive through the imme­di­ate peri­od of the Covid19 emer­gency and dur­ing what is like­ly to be a sus­tained peri­od of eco­nom­ic reces­sion beyond. 

Read “Artists’ emergency: arts policy’s role in the future of artists’ livelihoods” in full

Maia Tweet

After an intro­duc­tion to the spe­cif­ic eco­nom­ic cir­cum­stances of visu­al artists and, mind­ful of the wide and exten­sive impacts of the pan­dem­ic on their work prospects and liveli­hoods, this text in the Covid-19 port­fo­lio includes a four-point ​‘hope­ful pro­pos­al’ that sets out how to ensure artists sur­vive the fall out, and can bring their mul­ti­ple val­ues to ben­e­fit the arts and soci­ety in the decade ahead. 

Read “Do it all, for artists’ sake, now” in full

Susan Jones

Pre­sen­ta­tion for CAMP (Con­tem­po­rary Art Mem­ber­ship Ply­mouth) 13 Feb­ru­ary 2020 that address­es some of the myths about artists’ prac­tices and liveli­hoods, the con­di­tions most con­ducive for sup­port­ing the per­son­al and pro­fes­sion­al lives of many artists over a life-cycle and pro­vides some rad­i­cal propo­si­tions for achiev­ing them.

Read “Exploding myths: the future of artists' livelihoods” in full