“This is a moment fraught with possibility.” Isabelle Tracy, Parallel State: State of the Nation podcast 27 March 2020
This fourth text in the Covid19 portfolio is on the future of artists’ livelihoods. It starts by evidencing the impact of external trends on visual artists’ livelihoods. It then identifies some of the policy misassumptions and structural barriers that limit artists’ livelihood prospects before demonstrating that visual artists as a ‘special case’ within the arts workforce are deserving of individualised attention within arts policies. It concludes by outlining the core qualities for pursuit of livelihoods through art practices that enable many artists to contribute to society over a life-cycle as a point of reference for policy-making during the Covid19 emergency and into the uncertain decade ahead.
Read “From myths to motility: doing better by artists” in full
Although negotiated relationships forms one of the three core conditions enabling artists’ pursuit of livelihoods over a life-cycle, the over-competitive and disparate nature of contemporary visual arts acts as disincentive to achieving them. This seminar on offer to artists aims to provide rationale and tactical tips for achieving a ‘win-win’ situation.
Read “Negotiating better - seminar for artists” in full
This paper combines arguments first presented by Susan Jones at an engage annual conference in which she questioned the efficacy of our institutionally-driven visual arts ecology with new research and enquiry into future cultural, digital and social environments for the arts. It calls for adoption of a more open, imaginative, lateral, collaborative and responsive approaches to creating cultural value, premised on building relationships and rapport with the different kinds and bandwidths of audiences and with the enablers and the makers of art. Links updated 17/05/2018
Read “Creativity at the heart: the holistic approach” in full
This provocation commissioned by Stoke Airspace for an Artists’ Soup Kitchen addresses and confirms the importance of the role and value of artists within cultural and social change. The four sections are designed to open up a discussion on ‘what now?’ and – more importantly – ‘what next?’ for Airspace and artists and future artists located in Stoke.
Read “Bite the hand that feeds you” in full